Superman - Wikipedia. Superman is a fictional superhero appearing in American comic books published by DC Comics. The character was created by writer Jerry Siegel and artist Joe Shuster, high school students living in Cleveland, Ohio, in 1.

The Pebble and the Penguin is a 1995 American animated musical buddy comedy film, starring the voices of Martin Short and Jim Belushi, based on the true life mating.

They sold Superman to Detective Comics, the future DC Comics, in 1. Superman debuted in Action Comics#1 (cover- dated June 1. With this success, Superman helped to create the superhero archetype and establish its primacy within the American comic book.[2] The character is also referred to by such epithets as the Big Blue Boy Scout, the Man of Steel, the Man of Tomorrow, and the Last Son of Krypton.[3]The origin story of Superman relates that he was born Kal- El on the planet Krypton, before being rocketed to Earth as an infant by his scientist father Jor- El, moments before Krypton's destruction. Discovered and adopted by a farm couple from Kansas, the child is raised as Clark Kent and imbued with a strong moral compass. Early in his childhood, he displays various superhumanabilities, which, upon reaching maturity, he resolves to use for the benefit of humanity through a "Superman" identity.

• Superman is a fictional superhero appearing in American comic books published by DC Comics. The character was created by writer Jerry Siegel and artist Joe Shuster.
• The classic US stereotype of attempted Iranian ideological indoctrination via chants of “Death to America” and such has been old hat for quite some time. As noted.
• Drone enthusiasts take heed: If you don’t want to see your precious drone blasted into a million pieces, keep clear of US military installations. The Pentagon has.
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Superman resides and operates in the fictional American city of Metropolis. As Clark Kent, he is a journalist for the Daily Planet, a Metropolis newspaper. Superman's love interest is Lois Lane, and his archenemy is the supervillain.

Lex Luthor. A close ally of Batman and Wonder Woman, he is typically depicted as a member of the Justice League. Like other characters in the DC Universe, several alternative versions of Superman have been characterized over the years. Superman's appearance is distinctive and iconic; he usually wears a blue costume with a red- and- yellow emblem on the chest, consisting of the letter S in a shield shape, and a red cape. This shield is used in many media to symbolize the character. Superman is widely considered an Americancultural icon.[2][4][5][6] He has fascinated scholars, with cultural theorists, commentators, and critics alike exploring the character's role and impact in the United States and worldwide. The character's ownership has often been the subject of dispute, with Siegel and Shuster twice suing for the return of rights. The character has been portrayed in many media adaptations as well, including films, television series, and video games.

Several actors have depicted Superman in motion pictures and TV series including Kirk Alyn, George Reeves, Christopher Reeve, Dean Cain, Tom Welling, Brandon Routh, Henry Cavill, and Tyler Hoechlin. Creation and conception. Download Robot Chicken: Star Wars Full-Lenght there. In January 1. 93.

Cleveland high school student[7] Jerry Siegel wrote a short story, illustrated by his friend and classmate Joe Shuster, titled "The Reign of the Superman", which Siegel self- published in his fanzine, Science Fiction. The titular character is a vagrant who gains vast psychic powers from an experimental drug and uses them maliciously for profit and amusement, only to lose them and become a vagrant again, ashamed that he will be remembered only as a villain.[8] Siegel's fanzine did not sell well.

Siegel and Shuster shifted to making comic strips, which they self- published in a book they called Popular Comics. The pair dreamed of becoming professional authors and believed that syndicated newspaper strips offered more lucrative and stable work than pulp magazines. The art quality standards were also lower, making them more accessible to the inexperienced Shuster.[9]In early 1. Siegel developed a new character, also named Superman, but now a heroic character, which Siegel felt would be more marketable.[1. This first prototype of Superman had no fantastic abilities and wore casual clothing. Siegel and Shuster often compared this version to Slam Bradley, a comics character they created in 1. Siegel shared his idea with Shuster and they decided to turn it into a comic strip.

The first publisher they solicited was Humor Publishing in Chicago, after having read one of their comic books, Detective Dan.[1. A representative of Humor Publishing was due to visit Cleveland on a business trip and so Siegel and Shuster hastily put together a comic story titled "The Superman" and presented it to the publisher.[1. Although Humor showed interest, it pulled out of the comics business before any book deal could be made.[1.

Inked cover of The Superman, a rejected 1. Siegel and Shuster. Siegel believed publishers kept rejecting them because he and Shuster were young and unknown, so he looked for an established artist to replace Shuster.[1. When Siegel told Shuster what he was doing, Shuster reacted by burning their rejected Superman comic, sparing only the cover.[2. Siegel solicited multiple artists[1.

Russell Keaton,[2. Buck Rogers comic strip, responded. In nine sample strips Keaton produced based on Siegel's treatment, the Superman character further evolves: In the distant future, when Earth is on the verge of exploding due to "giant cataclysms", the last surviving man sends his child back in time to the year 1. Sam and Molly Kent. The boy exhibits superhuman strength and bulletproof skin, and the Kents teach the child, whom they name Clark, to use his powers for good.[2. However, the newspaper syndicates rejected their work and Keaton abandoned the project.[2.

Siegel and Shuster reconciled and resumed developing Superman. The character became an alien from the planet Krypton with the now- familiar costume: tights with an "S" on the chest, over- shorts, and a cape.[2. They made Clark Kent a journalist who pretends to be timid, and introduced his colleague Lois Lane, who is attracted to the bold and mighty Superman, but does not realize he and Kent are the same person.[2. Siegel and Shuster entered the comics field professionally in 1.

New York- based comic- book publisher National Allied Publications. Although National expressed interest in Superman,[3. Siegel and Shuster wanted to sell Superman as a syndicated comic strip, but the newspaper syndicates all turned them down.[3. Max Gaines, who worked at Mc. Clure Newspaper Syndicate, suggested they show their work to Detective Comics (which had recently bought out National Allied).[3.

Siegel recalled, In March 1. Siegel and Shuster sold all rights to the character to Detective Comics, Inc.[3.

It was the company's policy to buy the full rights to the characters it published.[3. By this time, they had resigned themselves that Superman would never be a success, and with this deal they would at least see their character finally published.[3. Influences. Siegel and Shuster read pulp science- fiction and adventure magazines, and many stories featured characters with extraordinary powers such as telepathy, clairvoyance, and superhuman strength. An influence was Edgar Rice Burroughs' John Carter of Mars, a human who was displaced to Mars, where the low gravity makes him stronger than the natives and allows him to leap great distances.[3. Which were essentially the same kind of powers Superman had on earth in the early days of the comic.[3. While it is widely assumed that the 1.

Philip Wylie novel Gladiator, featuring a protagonist, Hugo Danner, with similar powers, was an inspiration for Superman,[4. Siegel denied this.[4. Siegel and Shuster were also avid moviegoers.[4. Shuster based Superman's stance and devil- may- care attitude on that of Douglas Fairbanks, who starred in adventure films such as The Mark of Zorro and Robin Hood.[4. The name of Superman's home city, Metropolis, was taken from the 1. Popeye cartoons were also an influence.[4.

The persona of Clark Kent was inspired by slapstick comedian Harold Lloyd. Lloyd wore glasses and often played gentle characters who were abused by bullies, but later in the story would snap and fight back furiously. Shuster, who also wore glasses and described himself as "mild- mannered", found Lloyd's characters relatable.[4.

Kent is a journalist, because Siegel often imagined himself becoming one after leaving school.

Iran Has Pivoted to Video. The classic US stereotype of attempted Iranian ideological indoctrination via chants of “Death to America” and such has been old hat for quite some time. As noted by the New York Times on Saturday, in the past few years Iranian pro- government propaganda efforts have increasingly taken the form of rap videos glorifying the country’s military, spread on sites like local You. Tube equivalent Apparat and apps like Telegram.

The Times rounded up some of the most high- profile attempts to appeal to the nation’s youth by pairing Iranian rappers with sweeping shots of military personnel and CGI- infused battle scenes, some of which are pretty over- the- top. They’re fascinating to watch, especially at a time when the current presidential administration has gone full hawk on Iran. They’re also more than a little uncomfortable, both because they show an oppressive government’s approach to a digitized era of propaganda and, if we’re being honest, they do kind of resemble pro- military media produced in places like the US. One video highlighted by the paper features Amir Tataloo, a musician with a “hard- partying, gangster- style reputation,” who extolled “our absolute right / to have an armed Persian gulf” while singing alongside naval personnel on the frigate Damavand.

The Simpsons fans may notice a strong “Yvan Eht Nioj” vibe.)Another video from last year, titled “We Will Resist,” cost $2. US fighter jets bombing a mosque by a sunny beach, flanked by newly constructed oil refineries.

A battalion of Iranian youth carrying flags retaliate by charging towards the water, conjuring up a gigantic tidal wave which sinks the US Navy’s Fifth Fleet. Another released in 2. Seraj Cyberspace Organization, which is affiliated with the Iranian Revolutionary Guards’ Basij volunteer militia, shows Iranian- backed fighters in Syria taking the fight to ISIS insurgents flying the terror group’s infamous black flag. The video features Hamid Zamani, who the Times noted was the mastermind behind the anti- imperialist song “USA.”“By Zaynab, we are the defenders of Damascus!” the singer croons as a sniper takes out an ISIS fighter in slow- motion. Husayn’s sister calls us to the Golden Shrine / How can the flames of death possibly set it ablaze?”Another Iranian propaganda effort highlighted by the Times was the 9. CGI action film Battle of the Persian Gulf II, which stars an animated version of Quds Force commander Gen.

Qassem Suleimani annihilating US troops and naval forces.“The Americans threaten us, we want to say, ‘If you attack us, if you dare to do so, a rain of hot melted lead will be poured on you,” co- creator Farhad Azimi told the paper. The American aircraft carriers, vessels and warships will be sunk and converted into beautiful aquariums in the bed of the Persian Gulf.”So yeah, all this is unsettling. But again, lest Americans get too high on their horses about this, the US military- industrial complex, its marketing partners and Hollywood filmmakers have basically been doing higher- budget versions of the same thing for decades. One of the more obvious examples is the NFL, where flashy flyovers with high- tech military jets, troops marching with flags and even camouflage jersey sales have been a fixture for years, and the military has pumped tens of millions of dollars into patriotic displays at sports games.

Others include the close relationship between the military and the video game industry, or its tight collaboration with the movie industry. Indications are strong President Donald Trump’s administration is seeking ways to back out of the US- Iran nuclear deal, per CNBC, which would set the stage for tensions to escalate rapidly—though with stakes a good bit realer than CGI tsunamis and bullet time. [New York Times].