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What We Liked And Didn't Like About The New Season Of Bo. Jack Horseman. Netflix dropped another season of Bo. Jack Horseman this weekend. As is tradition, I sat down and watched all of it all in one go without realizing.
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While Kotaku’s managing editor Riley Mac. Leod, intern Chloe Spencer and I had some problems with the fourth season’s execution, we all still love this weird, depressing, hilarious show.
Today we sat down and talked about it. Spoilers! Gita Jackson: Hey folks! We all watched Bo.
Jack this weekend, and for once I didn’t come out of that experience in a horrible depression fog. How about y’all? Riley Mac. Leod: True! It actually ends really hopefully, which I think is kind of a first for the series. Chloe Spencer: I didn’t find this season as depressing as other seasons.
It seems like Bo. Jack is finally starting to find some sort of peace, or is at least working his way towards it. Gita: This new season of Bo.
Jack felt a little more grounded than the previous three. There was a lot less “excesses of Hollywoo(d)” stuff and more small, sad human moments. Let’s take it from the top! Riley: It made sense to me that four seasons in, the narrative of ‘Bo. Jack sucks’ had kind of run its course, so they needed to branch out. The storylines didn’t intersect as much as they usually do, which didn’t always work for me, but at the same time it moved Bo. Jack and his crappy behavior away from the center of the action, which I think was a very needed change.
To start from the actual top, the Todd being asexual and dealing with that stuff was really interesting to me. It’s not something I’ve seen handled in media in that way before, especially his struggle to come to grips with it. Chloe: Yes! I like how this season focused more on other characters such as Todd and Princess Carolyn and the developments in their lives. Gita: Todd’s asexuality was brought up at the end of last season, and I was happy that we got back into it in a non- special episode- y way.
He doesn’t come out as asexual and have it all figured out. At the start of the season, he’s not even sure if he likes the term. Chloe: How they portrayed Todd’s exploration of his asexuality was not only interesting, but I think it’s also important to address.
I haven’t seen a lot of shows with ace characters, or shows where they discuss asexuality. I like how Todd learned more things about the ace community the more he got involved in it. In one of the episodes with Courtney Portnoy, he confused asexuality with being aromantic. And I like how his conversations with other ace people helped him to not only get information about asexuality, but he built a network of support. Todd in the past has been a character who has always been supporting other people and being kind to them. It was nice to see this season that other people were helping and caring about Todd.
Gita: Yeah, Todd gets to end the season one step closer to being a self- actualized person and not a funny freeloader. He even kinda, sorta, got asked out by Yolanda Buenaventura from the Better Business Bureau.
By being out of Bo. Jack’s orbit, he got to work on himself.
Riley: The Todd episode (aptly titled “Hooray! Todd Episode”) really gets at that too. That said, some of the pacing of the season felt off to me—the stuff about Bo. Jack’s alleged daughter Hollyhock and the drugs, for example, or Princess Carolyn and Ralph breaking up. Chloe: That Princess Carolyn/Ralph breakup felt rushed to me. I was honestly surprised that Ralph didn’t come back or try to contact her again before the season ended.
Riley: The Hollyhock thing felt like a device they just had to throw in to have a conflict to wrap stuff up. We didn’t really see it until it was a problem. And to be honest, I didn’t exactly understand the fight between Princess Carolyn and Ralph, and I was surprised when they actually broke up. In some ways it felt like an effort to inject the usual sad Bo. Jack stuff into a season that kind of wasn’t going in that direction. Chloe: That’s a good point.
I mean, they were in a serious relationship and had made plans for further down the road. I could understand Princess Carolyn being upset with Ralph for how he reacted, but I don’t understand why Ralph wouldn’t reach out to her again. Gita: I’m not actually surprised that Princess Carolyn sabotaged her happy life at the very last moment.
Her being with Ralph did almost seem too good to be true for a character who is so ruthlessly self interested. Riley: Self- sabotage being a pretty regular theme on the show! Gita: But I definitely agree with Hollyhock’s departure being rushed. Riley: I did like getting to see more of Bo.
Jack’s family’s past, though. That second episode, where we see his mother Beatrice’s past, was a killer. Chloe: I liked how it showed why Beatrice is the way she is.
Gita: Overall, the theme of parenthood was what tied this season together. Bo. Jack is dealing with possibly being a father and the trauma he inherited from his mother. Princess Carolyn is trying to become a mother. For Bo. Jack, the ultimate conclusion the show comes to with how he relates to Hollyhock is that maybe the scars in the Horseman family run too deep. At the end of Beatrice’s story, we understand exactly why she is how she is—just a long history of abuse—but even if she and Bo. Jack come to some kind of peace, the damage has been done.
Chloe: Exactly. I don’t feel bad for Bo. Jack when he struggles to empathize with his mother; I feel really conflicted about how to feel about Beatrice. A part of me feels awful that she went through those experiences, but then another part of me is like, “She didn’t have to take out her emotions on her child.” Or, I don’t know if emotions is the right word so much as it is her disappointment with how her life ended up.
Riley: That whole arc, and the idea of having to take care of a parent you’re not close to, was really uncomfortable for me, as it’s something I think about a lot. I used to work as a social worker for the elderly and in particular LGBT folks taking care of their parents, and I heard a lot of stories of people being sort of trapped with parents who were cruel to them and how stressful that was. A lot of my clients would feel guilty for wanting to put their parents in a facility and go back to the lives they’d built for themselves, and they were often shocked when I’d tell them it was okay to do that. How we deal with biological families that aren’t the sunny ideal we like to imagine they should be is complicated, and it was intense to watch Bo. Jack struggle with the realities of that. Chloe: I guess by looking at Beatrice’s story, we can see that there was a cycle of abuse in the family that passed down through the generations.
Beatrice’s father was horrible to Beatrice, and Beatrice in turn was horrible to her son. I think part of Bo.
Jack’s apprehension at becoming a father isn’t just because he realizes he doesn’t have the capability or desire to do it, but he’s afraid of becoming like his parents. When we come to the conclusion of the season, I like how Bo.
Jack sort of recognizes why Beatrice acts the way she does, but the show demonstrates that he doesn’t have to feel bad or guilty about how his relationship with his mother turned out. I feel like in narratives on television and in films, we see a lot of pressure on children to maintain good relationships with their parents, like it’s their responsibility. Gita: It’s important to note that not only was Beatrice’s dad horrible to Beatrice, her mother also lost her son in World War II and Beatrice’s dad had her lobotomized because she couldn’t get over it.
She was traumatized as a child in very specific ways that made it hard for her to truly love anyone, even her children. The penultimate episode, that takes place in Beatrice’s memories, was the strongest of the season for me, and also left me with the most complicated emotions. With Princess Carolyn and Todd, I feel like they’re both on the upswing. I get where their arcs are going, even if there’s some bumps along the way. Watch "The Wild Thornberrys" Pack Of Thornberrys Free here.